Propaganda

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En In production Productions

Never too late

Never too late

IN PRODUCTION

IN PRODUCTION

GENRE
Coming of Age, Adventure

FORMAT
10 x 30′

YEAR
2023

DIRECTOR
Lorenzo Vignolo, Salvatore de Chirico

AUTHOR
Federica Pontremoli, Camilla Paternò, Simona Coppini in collaboration with  Salvatore de Chirico

CAST
Arianna Becheroni, Roberto Nocchi, Matteo Taranto, Dana Giuliano, Mikaela Neaze Silva, Jacqueline Di Giacomo, Manuel Rossi, Elisa Pierdominici, Antonio Gargiulo, Caterina Bertone, Daniele Natali, Elena Cucci, Roberta Mattei

PRODUCTION
Propaganda Italia
Rai Fiction

DISTRIBUTION
Italy: Rai Play
International Sales: Rai Com

CREATIVE TEAM
Salvatore de Chirico (Creative Producer), Paolo Bellan (Cinematography), Dario Lanzellotti (Music), Manuel Grieco, Simone Spampinato, Federico Lena (Editing), Marta Marrone (Production Design), Marta Genovese (Costume Design), Giuseppe Manfré (Sound Recording), Erik Caretta – HIVE DIVISION (VFX Supervisor)

NeverTooLate

2046. The air has become unbreathable and the planet is suffering from a lack of oxygen. Green Militias are in power and have been denying people all contact with Nature for years in order to heal it. In NUR, in Sardinia, stretches one of the few remaining surviving forests, bordered by an impassable wall and guarded by drones. Five teenagers, who grew up without ever having touched a tree or taken a swim in the sea, decide to enter the forest, risking their lives, to discover the truth about their parents’ disappearance and take back their future. Because to change the world..it’s never too late.

With the support of

Europa Creativa Media Logo
Categories
En In production Productions

Incanto

Incanto

IN PRODUCTION

IN PRODUCTION

GENRE
Fantasy, Family

YEAR
2023

DIRECTOR
Pier Paolo Paganelli

AUTHOR
Jacopo Del Giudice, Davide Rossetti, Pier Paolo Paganelli

CAST
Vittoria Puccini, Mia McGovern Zaini, Claudio “Greg” Gregori, Mia Benedetta, Stefano Pesce, Massimo Pio Giunto, Zackari Delmas, Lorenzo Nohman, Giorgio Panariello, Paolo Sassanelli, Giorgio Colangeli

PRODUCTION
Propaganda Italia
Potemkino [be]

CREATIVE TEAM
Martina Cocco (Cinematography), Stefano Ratchev & Mattia Carratello (Music), Manuel Grieco (Editing), Federico Costantini (Production Design), Nicoletta Taranta (Costume Design), Daniele Maraniello (Sound Design), Giuseppe Squillaci (VFX Supervisor)

On his deathbed, Ludovico entrusts his daughter Margot to the housekeeper, Felicia, asking that the family villa be transformed into an orphanage so that the little girl can grow up in joy with other children. But the wicked Felicia only wants the little girl’s assets and not take care of her. With the complicity of her suitor, Max, she exploits the orphaned children and keeps Margot segregated and neglected to the point that the child withdraws into herself and no longer speaks. One night, however, Margot manages to escape and, after overcoming the darkness of the woods, she comes across a circus. The little girl is greeted by Charlie, the white clown, who introduces her to the secret that makes their circus unique: the old big top is magical, capable of showing anyone who enters its ring for who they truly are. Margot shines and, without even realizing it, finds her voice again. Welcomed by her new circus family, Margot is reborn, but Felicia is looking for her… Will the little girl be able to reclaim her roots and free herself from Felicia’s clutches?

With the support of

Europa Creativa Media Logo
Categories
En In production Productions

DUSE, THE GREATEST

DUSE, THE GREATEST

IN DISTRIBUTION

IN DISTRIBUTION

GENRE
Documentary

YEAR
2023

DIRECTOR
Sonia Bergamasco

AUTHOR
Maria Paola Pierini and Sonia Bergamasco

PRODUCTION
Propaganda Italia, Quoiat Films and Luce Cinecittà

DISTRIBUTION
Italy: Luce Cinecittà
International Sales: TBC

duse the greatest

A hundred years after the death of Eleonora Duse, Sonia Bergamasco takes us on an investigation into the actress who changed the acting profession forever, inspiring Lee Strasberg, the historic director of the Actors Studio, and generations of actors. How can a woman of whom only a silent film and a few photos and portraits remain, still be so influential? The Divina beyond the myth.

With the support of

Europa Creativa Media Logo

financial support granted: €29,865.24